SUTCo’s It Came From The Ice – 4 April 2025, Library Theatre Review by Claire Taranaski. Sheffield University Theatre Company’s latest production, written and directed by Luke Hookham is a psychological cosmic horror that cleverly explores what happens when a crew of five are trapped in a research camp at the Antarctic, brilliantly examining the […]
Tag: SUTCo
SUTCo’s The Effect – 12 March 2025, University Drama Studio Review by Claire Taranaski. Sheffield University Theatre Company’s latest production is of Lucy Prebble’s powerful and intense post Covid set The Effect, an examination of both relationships, psychiatry, depression and drug trials. All four actors in this intelligent and intimate production held their own. The […]
SUTCo’s Accidental Death Of An Anarchist – 26 February 2025, University Drama Studio Review by Jacob Bush. As one of their semester two productions, Sheffield University Theatre Company take on the incredibly challenging yet very funny play Accidental Death of an Anarchist. Written by Dario Fo and adapted by Tim Supple and Alan Cumming, the […]
SUTCo’s The Importance of Being Earnest – 20 November 2024, Library Theatre Review by Claire Taranaski. Last night SUTCo confirmed their place as one of Sheffield’s finest student theatre companies with a production and performances all that would make Oscar Wilde proud and if you didn’t know differently would make you think you were seeing […]
SUTCo’s Your Heart’s To Open, Close It – 30 October 2024, Sheffield University Drama Studio Review by Taylor J. Director and writer Ambrose Robinson comically encapsulates the heart-breaking hero’s journey of our lovable yet flawed, anxiously attached, golden retriever, ‘Pup’ (played by Matthew Heppell), as he unconditional love, and accountability discovers the price of vulnerability. […]
Sheffield University Theatre Company’s Why We Stay – 6 March 2024, Sheffield University Drama Studio Review by Claire Taranaski. Written and directed by SUTCo’s very own Darcey Severne, Why We Stay is an epic three hour horror that more established playwrights may have avoided, but would have struggled to be cut down, making you want […]